Madonna

Madonnastole the spotlight at the D&G show in Milan, stepping out in an outfit that highlighted her bold style. She wore a little black dress with a corset bodice and an ultra-high slit, which made her look both stylish and glamorous. She layered it with a black blazer to add an oomph factor. The singer shared her photos on her social media handle, capturing widespread attention.

Madonna pairs high-slit LBD with blazer for D&G show in Milan

WatchMadonnawalking in style in a little black dress for the D&G show in Milan:

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The "Queen of Pop" made a striking appearance at the D&G show in Milan, wearing a little black dress with a high slit. The corset-style dress featured a deep neckline and a soft, leather-like texture for a dramatic look. Meanwhile, the intricate lace detailing at the chest added a soft and feminine touch to the ensemble.

She paired it with a blazer to create a structured silhouette. The "Swept Away" actor accessorized with stylish sunglasses and a delicate necklace. Additionally, the turquoise leather gloves added a pop of color. The look was perfectly polished with chic, strappy heels.

The postMadonna's LBD Has Dangerously High Slit for D&G Show in Milanappeared first onReality Tea.

Madonna’s LBD Has Dangerously High Slit for D&G Show in Milan

Madonnastole the spotlight at the D&G show in Milan, stepping out in an outfit that highlighted her bold style. She wore a little black...
Fresh starts at Gucci, Fendi and Marni set the tone at Milan Fashion Week: 5 trends and buzzwords

MILAN (AP) — It was a season of fresh starts and superstars acrossMilan Fashion Week. New creative directors shared their visions for Fendi, Gucci and Marni, whileMadonna,Kate Mossand, most unexpectedly,Mark Zuckerberglit up the runways and front rows.

Associated Press A model, reflected in glass, wears a creation from the Giorgio Armani Fall/Winter 2026-2027 Women's collection presented in Milan, Italy, Sunday, March 1, 2026. (AP Photo/Antonio Calanni) A model wears a creation from the Bottega Veneta Fall/Winter 2026-2027 Women's collection presented in Milan, Italy, Saturday, Feb. 28, 2026. (AP Photo/Luca Bruno) A model wears a creation from the Prada Fall/Winter 2026-2027 Women's collection presented in Milan, Italy, Thursday, Feb. 26, 2026. (AP Photo/Luca Bruno) Models wear creations from the Jil Sander Fall/Winter 2026-2027 Women's collection presented in Milan, Italy, Wednesday, Feb. 25, 2026. (AP Photo/Luca Bruno) A model wears a creation from the Marni Fall/Winter 2026-2027 Women's collection presented in Milan, Italy, Thursday, Feb. 26, 2026. (AP Photo/Luca Bruno)

APTOPIX Italy Fashion Giorgio Armani F/W 26/27

Trends for the next cold-weather season from six days of runway previews that ended Sunday include suits to accompany women on back-to-work mandates and brutalist outerwear as an investment in uncertain times, with hints of feathers, (eco) fur and animal prints to lighten up the mood.

Zuckerberg caused a minor furor when he was ushered into the Prada runway show with presidential-style security. He sat next to Prada heir Lorenzo Bertelli, but the long-rumored pairing of Prada with Meta's smart glasses was not revealed.

There was much buzz around new directions at multiple fashion houses: Gucci under Demna, Fendi under Maria Grazia Chiuri, Marni under Meryll Rogge, andGiorgio Armaniunder Silvana Armani, followingthe iconic Milanese designer's deathlast September. Louise Trotter at Bottega Veneta and Simone Bellotti at Jil Sander had sophomore outings, often trickier than debuts.

A glance at five womenswear trends and buzzwords for next season:

Layering at Prada

With just 15 models, instead of the usual 60 or more, Prada offered a master-class in layering, with models removing garments with each backstage pass.

Trenches, knit jackets and leather bombers gave way to long-cuffed men's shirts, archival house coats and dresses that frayed into underlayers like sartorial archaeology, before arriving at cotton bloomers, sheer, embroidered slip dresses and bralettes.

Miuccia Prada, who designed the collection with Raf Simons, said in notes that the collection was meant to represent "layers of lives, of feeling.'' She added backstage that it brought "minimalism and opulence together."

Prada's self-described obsession with history was underpinned by a showroom decorated with artifacts spanning centuries: 16th-century tapestries, 18th-century Venetian mirrors and paintings from the 1900s.

Suitable suiting

Back-to-work mandates are penetrating the runway, sometimes in unexpected places.

At Fendi, fur was worn over practical suiting and quarter-button collared shirts, best exemplified by front-row guest Uma Thurman.

At Jill Sander, Bellotti played with tiny, off-skew lapels contrasting with excess fabric that created volume in the back, Alice-in-Wonderland suiting that modernized the brand's minimalist aesthetic and tested the idea of whether the superfluous can be essential. Skirts had side slits that closed at the hems, while the silhouette of dresses traced a curve — detail without decoration.

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Suits were in short supply at Gucci, where Demna veered dramatically from the brand's failed attempt at quiet luxury with clingy daywear and plunging crystal-encrusted evening gowns.

Fur, feathers and animal prints

Fendi's designer Chiuri embraced the brand's heritage as a furrier and leather goods maker, but with a twist: the furs were mostly upcycled, in a silent rebuff of the very noisy anti-fur demonstrators outside.

Chiuri had worked for a decade alongside the five Fendi sisters before creative director stints at Valentino and Dior.

Animal prints were glimpsed on many runways, including an eco-fur with the suggestion of a cow print at Dolce & Gabbana.

Prada featured laced-up boots fantastically covered with feathers, an antique touch that complemented beaded satin booties and pumps.

The coat game and chunky knitwear

Louise Trotter said she aimed to lighten up her second Bottega Veneta outing. She embraced Milan as her inspiration, opening with a series of architectural overcoats in sturdy blue and grays that were meant to exemplify Milan's Brutalist architecture, before an explosion of energy and color in outerwear constructed from fiberglass that shimmied kinetically with every step.

Ferragamo's mariner twist of the season resulted in overcoats with button panels that could be twisted into new architectures. They perfectly complemented laced silken dresses underneath.

Rogge's coed debut for Marni was youth-driven, a 1990s version of the 1970s, and her love of knitwear came through in chunky sweater jackets and retro-patterned pullovers. A luxurious short-haired fur coat with a cotton lining exemplified the brand's high-low materials mix. Straight midi-skirts were covered with plastic sequins or mother of pearl discs that rattled like chimes.

Softness in tailoring

Tod's demonstrated how to turn leather into the softest tailoring with a seamless declination from foulard dresses to the same silhouette constructed from leather.

Silvana Armani embraced her uncle's soft-shouldered jackets, including quilted Japanese-style jackets and colorful shearling coats. The biggest statement were the slate gray overcoats that grazed the runway with elegance.

"Working with fluidity and simplicity came naturally to me because that's how I am,'' she said after the show.

Footnotes

While the muted color palettes and focus on basics suggest a conservative response to global turbulence, overt references to war was rare. One exception was Moschino, where designer Adrian Appiolaza included a pair of references including the graphic character Mafalda on a garment screaming: "Basta," Italian for "Enough."

Fresh starts at Gucci, Fendi and Marni set the tone at Milan Fashion Week: 5 trends and buzzwords

MILAN (AP) — It was a season of fresh starts and superstars acrossMilan Fashion Week. New creative directors shared their...
10 songs you didn't know were written by the Beatles

The Beatles penned hit after hit, all of which demonstrated their mastery of the songwriting form. But while they racked up classic songs for themselves beyond counting, they still found the time to write songs for other musicians.

MediaFeed

Songs you didn't know were written by the Beatles

Not everyone was aware that the song they were hearing on the radio had been written by John, Paul, George, or Ringo, especially if the song had been credited to a pseudonym. Here are some examples of songs that were recorded by other artists but dreamed up by the world's favorite Liverpudlians.

Image Credit: Wikipedia.

1. "I Wanna Be Your Man" by The Rolling Stones – 1963

Written by John Lennon and Paul McCartney, this song became one of The Rolling Stones' early hits. In fact, it was such a good tune that Lennon and McCartney borrowed it back so they could record their own version of it on their 1963 sophomore album, "With the Beatles."

Image Credit: Wikipedia.

2. "Come and Get It" by Badfinger – 1969

Written and produced by Paul McCartney, this song became a top 10 hit for Badfinger, a band signed to the Beatles' Apple label. The band had several big hits of their own, so they didn't necessarily need Macca to write material for them. But hey, when you're signed to the Fab Four's label, it doesn't hurt to ask if they have potential hits lying around that they're not using.

Image Credit: Wikipedia.

3. "Bad to Me" by Billy J. Kramer With the Dakotas –1963

"Bad to Me" was written by John Lennon and Paul McCartney for British pop singer Billy J. Kramer. His recording of the song topped the U.K. charts. It was covered by other artists, most notably Graham Parker, but the Beatles themselves never took a crack at it. The only known Beatle-adjacent recording of "Bad to Me" emerged in 2013 on iTunes in the form of a John Lennon demo that was part of the compilation, "The Beatles Bootleg Recordings 1963."

Image Credit: Wikipedia.

4. "Love of the Loved" by Cilla Black –1963

"Love of the Loved" is a song credited to John Lennon and Paul McCartney and was recorded as part of their unsuccessful audition sessions for Decca Records. While that recording was never officially released by the Beatles, pop singer Cilla Black recorded the song and got a top 40 U.K. chart hit out of it.

Image Credit: Wikipedia.

5. "Step Inside Love" by Cilla Black –1968

Five years after "Love of the Loved," Cilla Black's career had progressed to the point where she had her own musical television show, simply called "Cilla." For its theme, another Lennon-McCartney composition was used, "Step Inside Love." The Beatles recorded the song during sessions for their 1968 self-titled album, but it didn't see an official release until its inclusion on the "Anthology 3" compilation in 1996.

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Image Credit: Wikipedia.

6. "A World Without Love" by Peter and Gordon –1964

"A World Without Love" was a U.K. chart-topper for the pop duo Peter and Gordon. Despite being credited to "Lennon-McCartney," it was written solely by a teenaged Paul McCartney. While it was a hit for Peter and Gordon, the Beatles never recorded it themselves as its author didn't think it was good enough for the band.

Image Credit: Wikipedia.

7. "Woman" by Peter and Gordon –1966

Perhaps because he and the pop duo Peter and Gordon had been successful with "A World Without Love," Paul McCartney wrote "Woman" under the pseudonym "Bernard Webb." He wanted to know if the song could still become a hit on its own merits rather than on the famous "Lennon-McCartney" songwriting credit. The ruse collapsed pretty quickly, and the song eventually peaked at number 14 on Billboard Hot 100.

Image Credit: Wikipedia.

8. "Goodbye" by Mary Hopkin –1969

Folk singer Mary Hopkin recorded this Lennon-McCartney song in 1969 and it quickly skyrocketed up the charts. Sadly, it could never get past the number two spot on the U.K. singles chart, as there was a song firmly lodged there. The song was another Lennon-McCartney single, "Get Back."

Image Credit: Wikipedia.

9. "Sour Milk Sea" by Jackie Lomax –1968

Written by George Harrison, this song was taped by singer Jackie Lomax, who recorded for the Beatles' Apple label. Harrison plays guitar on it, and both Paul McCartney and Ringo Starr appear on it as well. Even with all of that going for "Sour Milk Sea", it failed to meet sales expectations and is considered a disappointment. That's a shame, because the song itself is a banger that deserved to be a hit.

Image Credit: Wikipedia.

10. "Badge" by Cream –1969

Featuring Eric Clapton on guitar, Cream was a massively successful British supergroup whose members had all the talent in the world. However, the band couldn't stand each other personally, leading them to break up after two extremely tumultuous years. George Harrison co-wrote "Badge" with Clapton and it appeared on their aptly named final album, "Goodbye."

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10 songs you didn’t know were written by the Beatles

The Beatles penned hit after hit, all of which demonstrated their mastery of the songwriting form. But while they racked ...
Trump's Freedom 250 hits the road with museum focused on faith, civics

NASHVILLE ‒ Slipping inside the semitrailer, visitors find a wall-to-wall display of the watershed moments leading up to the American Revolution and its biggest battles.

USA TODAY

Tucked in a less visible spot, another exhibit tells visitors the "foundational principles of America are rooted in Western and Judeo-Christian values."

This 53-foot mobile museum is one of six "Freedom Trucks" traversing the country as ambassadors ofPresident Donald Trump's Freedom 250 program.

At a stop in Nashville during the National Religious Broadcasters annual gathering in February, Marissa Streit, chief executive of the conservative media organization PragerU, was showing visitors through the two-room museum her company helped design.

Streit said references to America's Judeo-Christian roots were an intentional and deliberate part of the truck design, intended to help counterbalance an approach to the nation's history that she said has misled the American public.

"How do we give that experience to people today who want to truly know what's going on and not learn about what America looked like based on an interpretation of some woke agenda," she said. "We've been talking about how intentionally taking the Bible out of the classroom has effectively ruined America's education system."

Streit sees her work as counteracting a partisan presentation of U.S. history. But critics of PragerU and their allies argue the opposite is true and say these new trucks will spread misleading accounts of American history that bolsters a Christian nationalist agenda.

The new mobile museums hit the road months after Trump accused the government-run Smithsonian Institution of being too "woke" and launched a review of its museums aimed at rooting out "divisive ideology" and promoting "American exceptionalism."

But watchdog groups and historians have criticized Trump's Freedom 250 as a taxpayer-funded propaganda campaign.

"The Trump administration is very specifically choosing people to be the face of the Freedom 250," said Warren Throckmorton, an expert on Christian nationalism and the movement's narratives about U.S. history. "The face of these initiatives are evangelical Christians."

People walk through the exhibit hall pass the "Freedom Truck" during the National Religious Broadcasters, summit at Gaylord Opryland & Convention Center in Nashville on Wednesday, Feb. 18, 2026.

A public-private alliance amid conflict over partisan history

Freedom 250, a subsidiary of the National Park Foundation, was created in December by the White House to fund Trump's vision for the country's milestone birthday. Since then, it has drawn accusations of pushing a right-wing, Christian view of America.

The mobile museums are the latest flashpoint. PragerU, a conservative nonprofit that creates educational, pro-American videos, partnered with Hillsdale College, a small Christian school in Michigan, to develop the exhibits for Freedom 250. The six museums are traveling to public schools, state fairs and community events across eight states throughout the year

Neither PragerU nor Hillsdale received funding from the federal government for this work, Streit said, though the government has spent money on the project.

The Institute of Museum and Library Services, a federal agency, gave Freedom 250a $10 million grantfor the project in December, according to federal spending data.

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Inside the

Building a mobile museum

The idea for the Freedom Trucks was originally devised to mimic the bicentennial "Freedom Train," a traveling history exhibit that crisscrossed the nation.

A spokesperson for Freedom 250 said Hillsdale and PragerU were chosen for their "extensive experience and expertise creating educational content for students focused on the American Founding," and their offer to create the material for free-of-charge for the government.

PragerU's civics curriculum has received approval from 10 states for local schools to use,according to WBUR, a Boston public radio station.

Hillsdale also produces a civics curriculum for its charter school network, and has been a pioneer in the movement to reinterpret American history from a Christian perspective. Hillsdale president Larry Arnn chaired Trump's 1776 Commission, which was largely seen as a response to the 1619 Project, a New York Times-initiated effort to examine slavery's role in America's origins. By contrast, the 1776 Commission's view of history emphasizes key victories, like the Revolutionary War.

Inside the

Themes of liberty, responsibility and moral fortitude within PragerU's civics curriculum, a key resource behind the mobile museum exhibits, offer a more "balanced point of view," Streit said.

USA TODAY asked John Fea, a historian of American religion at Messiah University, to review photos from some of the exhibits.

He said most of the information was factually accurate, but the information provided about Thomas Jefferson's view of slavery, "is an interpretive choice meant to advance a particular vision of the American founding."

That exhibit, titled "The Promise of Liberty," referenced how Jefferson "called the slave trade 'a cruel war against human nature itself.'" But it does not note that Jefferson personally enslaved 607 men, women, and children, many of whom he chose not to free when he died.

Other interactive exhibits allow visitors to talk directly to an AI-generated video of George Washington and sign their name at the bottom of the Declaration of Independence. QR codes direct visitors to PragerU's online content.

Another exhibit invites people to select characters from different groups that persevered despite persecution: "Native Americans; Soldiers & Spies; Freed Blacks & Slaves; Women; and Religious Leaders." A profile of Congregationalist minister Samuel West praised his May 1776 "rousing sermon on the right of colonists to rebel against their colonial governors."

Fea said the West profile is accurate, but he is surprised that West received such significant attention given his stature as a historical figure.

"The issue here is not so much the content of the displays, but the choices about who to include and why," Fea said.

Karissa Waddick, who covers America's 250th anniversary for USA TODAY, can be reached at kwaddick@usatoday.com

This article originally appeared on USA TODAY:What Trump's 250 program conveys about U.S. history with mobile units

Trump's Freedom 250 hits the road with museum focused on faith, civics

NASHVILLE ‒ Slipping inside the semitrailer, visitors find a wall-to-wall display of the watershed moments leading up to ...
'Mission: Impossible' star Ving Rhames says Tom Cruise taught him Hollywood's most important lesson

Between death-defying stunts, Ving Rhames embraced a different kind of mission — learning fromTom Cruisehow to survive and thrive in Hollywood.

Fox News

The actor, who has appeared in every "Mission: Impossible" movie in the franchise as world-class hacker and confidant Luther Stickell, is taking on a new high-risk operation.

As host of the History Channel series "History's Deadliest with Ving Rhames," he guides viewers through some of the most catastrophic natural disasters ever recorded, where the danger is real and survival is anything but guaranteed.

Leonardo Dicaprio Warns Young Actors About One Career-damaging Mistake They Must Avoid

The 66-year-old told Fox News Digital that explosions, car chases and high-altitude chaos aside, he's never feared for his safety while bringing "Mission: Impossible" to life, all thanks to the steady hand of Cruise.

"Tom Cruise made it quite safe for us," Rhames insisted.

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From the very beginning, Rhames said the 63-year-old star managed to surprise him.

WATCH: TOM CRUISE CREDITED FOR TEACHER-TURNED-ACTORS JOB CHANGE

"[What surprised me about him?] I'd say the fact that Tom Cruise does not see color," Rhames said. "To work with a Caucasian actor who really didn't see color, I was very moved by the experience."

Between daredevil stunts, Cruise didn't hesitate to sit down and bond with Rhames.

"[My favorite memories] are talking to him off-stage," said Rhames. "Learning secrets he knew about the industry that he was able to talk to me about."

The biggest lesson Rhames said Cruise passed along was surprisingly simple: "Treat each person fairly."

In an industry known for ego and excess, Rhames said that principle has been essential to his longevity in the entertainment industry.

"[One big piece of advice is] to be in Hollywood, not of Hollywood," he said. "And that's just from years of experience."

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Fox News Digital has reached out to Cruise's spokesperson for comment.

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Before "Mission: Impossible," Rhames faced another challenge: portraying feared Los Angeles crime boss Marsellus Wallace in1994's "Pulp Fiction."Like with Cruise, he described the cast as "down-to-earth."

But there was one unexpected reason the dark comedy was so memorable.

"The tape on the back of my head!" he said. "I was going to a dermatologist, and I had a keloid injected. I had that Band-Aid on. So then the day we had to film, I had the Band-Aid off. Quentin Tarantino said, 'Where's the Band-Aid?' It was something that wasn't planned. It just happened."

The look stuck. To this day, fans have a few choice words when they spot Rhames.

"I'm gonna get medieval on your a--," said Rhames, referring to one of his character's most iconic catchphrases.

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Even with decades of Hollywood experience, Rhames said he was unprepared for the disturbing stories uncovered in "History's Deadliest."

"We did an episode aboutsomething that happened in China," he teased. "I was affected because I really thought about how many people were affected by this [natural catastrophe]. If that happened in America, how would it have affected me? But I hope [these stories] will give knowledge. And I hope that the knowledge I get from it will make me a fuller human being."

After narrating "History's Deadliest," there's one thing Rhames would tell viewers.

"Never put anything past man — that's what I would say to them," Rhames said. "History repeats itself."

Rhames is still going strong, and Cruise remains just as relentless.

In May 2025, while speaking withThe Hollywood Reporterat the premiere of "Mission: Impossible – The Final Reckoning," Cruise said he doesn't see himself ever stepping back from action movies.

Click Here To Download The Fox News App

Tom Cruise wears a black shirt at CinemaCon

He previously told the outlet that he wanted to continue making "Mission: Impossible" movies until he was in his 80s, much like Harrison Ford, who continued making"Indiana Jones" moviesin his 80s.

"I actually said I'm going to make movies into my 80s; actually, I'm going to make them into my 100s," said Cruise. "I will never stop. I will never stop doing action, I will never stop doing drama, comedy films — I'm excited."

Original article source:'Mission: Impossible' star Ving Rhames says Tom Cruise taught him Hollywood's most important lesson

‘Mission: Impossible’ star Ving Rhames says Tom Cruise taught him Hollywood’s most important lesson

Between death-defying stunts, Ving Rhames embraced a different kind of mission — learning fromTom Cruisehow to survive an...
Venezuela's opposition leader Machado says she will return to the country in the coming weeks

CARACAS, Venezuela (AP) — Venezuelan opposition leader andwinner of the 2025 Nobel Peace PrizeMaría Corina Machado said on Sunday that she will return to Venezuela in the coming weeks and that elections will be held in the South American country.

Associated Press

Machado did not set a date for her return but said that one of the objectives will be to prepare "for a new and gigantic electoral victory."

In a message shared on social media, the politician called on her supporters to "strengthen the unity of Venezuelans that began with the primaries," a reference to the 2023 process in which she won the vote aimed at establishing a single candidate to compete at the polls against former President Nicolás Maduro.

Acting President Delcy Rodríguez– in power since Maduro and his wifewere capturedin a U.S. military operation in January — has warned that Machado "will have to answer" if she returns to the country.

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U.S. Secretary of StateMarco Rubiohas said that change in Venezuela must go through phases of stabilization, economic recovery and transition. He has not indicated that elections could be held in the short term.

The 58-year-old politician, a key figure in the Venezuelan opposition, was awarded the Nobel Peace Prize last year for her fight for democratic transition in Venezuela.

She controversially laterpresented her medalto U.S. President Donald Trump after the military intervention that deposited Maduro, who now faces drug-trafficking-related charges in U.S. courts. He has pleaded not guilty.

After Maduro was declared the victor of the July 2024 elections, protests erupted which sparked widespread repression. The opposition claimed it had credible evidence that the real winner was Edmundo González, who replaced Machado after she was barred from participating.

Venezuela’s opposition leader Machado says she will return to the country in the coming weeks

CARACAS, Venezuela (AP) — Venezuelan opposition leader andwinner of the 2025 Nobel Peace PrizeMaría Corina Machado said o...
More Than 100 Reported Killed in Strike on Girls' School in Iran

This picture obtained from Iran's ISNA news agency shows the site of a strike on a girls' school in Minab, in Iran's southern Hormozgan province, on February 28, 2026. The United States and Israel launched strikes against Iran on February 28, with Israel's public broadcaster reporting that supreme leader Ayatollah Ali Khamenei had been targeted, as the Islamic republic retaliated with barrages of missiles at Gulf states and Israel. Credit - Ali Najafi—ISNA/AFP Getty Images

Time

A strike on a girls' elementary school in the opening salvo of theU.S.-Israeli attack on Iranon Saturday killed more than 100 children, according to Iranian officials and teachers inside the country.

The strike hit the school in Minab, a city in the Hormozgan province of southern Iran, on Saturday morning, the start of the school week inIran, when children were in class.

Shiva Amelirad, a Canada-based representative of the Coordinating Council of Iranian Teachers' Trade Associations, a network of teachers' unions in Iran, told TIME that at least 108 children had been killed in the attack, according to information she had received from sources in Minab.

Read More:Did Trump Have the Legal Authority to Strike Iran? An Expert Explains

"Due to the limited capacity of the hospital morgue, refrigerated vehicles have reportedly been used to store the bodies of the victims," she said.

TIME has not been able to independently confirm the casualty figures.

Amelirad said a decision was made to close the school when U.S.-Israeli airstrikes began, "but the time between the announcement of the school's closure and the moment of the explosion was very short, and many families had not yet arrived to pick up their children."

She said that in some cases, multiple children from the same family were killed in the explosion, and that some teachers were killed in the attack.

The U.N. education agency, UNESCO, said in response to the attack that it was "deeply alarmed" by the impact of strikes on educational institutions.

"Initial reports indicate that an attack on a girls' primary school in Minab, southern Iran, has resulted in the deaths of over 100 individuals, including numerous students. The killing of pupils in a place dedicated to learning constitutes a grave violation of the protection afforded to schools under international humanitarian law," the agencysaidin a post on X.

A precise death toll from the strike has been difficult to ascertain, as the number has risen steadily since the incident.

Iranian Foreign Ministry Spokesman Dr. Esmaeil Baghaei told MSNOW on Sunday that the death toll from the strike was "150 innocent school girls. Some of them are still under the rubble."

The city's prosecutor said the number of people killed in the strike was 165, according to the state-run IRNA news agency on Sunday.

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Hossein Kermanpour, a spokesperson for Iran's health ministry, said Saturday that mostly "young martyrs" were killed at the school. In a post on XSunday, he said the toll from "a single missile strike" had risen to 180.

Videoand photographs of the building in the aftermath of the strike, posted to Telegram, show dozens of people gathered around a partially collapsed building, with black smoke billowing from its windows. The bottom half of the building's exterior is painted blue, with pink flowers and green leaves. Painted beside them is a young boy, reading. Other videos show rescue workers sorting through the rubble and piles of dirty backpacks.

When asked by TIME to comment on the strike, the Department of Defense pointed to Defense Secretary Pete Hegseth and U.S. Central Command (CENTCOM)'s X pages.

Neither account has commented directly on the school strike.

Pentagon spokesman Captain Tim Hawkins said in a statement that the agency "was aware of reports concerning civilian harm resulting from ongoing military operations. We take these reports seriously and are looking into them. The protection of civilians is of utmost importance, and we will continue to take all precautions available to minimize the risk of unintended harm."

The Israeli military said it was not aware of strikes in the area, according to the Associated Press.

According to Amelirad, based on reports from locals in Minab, the school had previously been used as a military facility but was later converted into a school attended by children from a mixture of military and civilian families attracted by lower tuition.

According toFactNameh, an Iran-focused fact-checking site based in Toronto, the school ison the grounds of a basethat is used by the Islamic Revolutionary Guards Corps, or IRGC. A video verified by the New YorkTimeson Saturday showed a strike hitting that IRGC base.

The strike prompted an angry reaction from some of President Donald Trump's own supporters on Saturday.

"I did not campaign for this. I did not donate money for this. I did not vote for this, in elections or Congress," former Rep. Marjory Taylor Greene, from Georgia,wrote on X Saturdayin response to a video of the aftermath of the strike on the school. "This is not what we thought MAGA was supposed to be."

Nobel prize winner and humanitarian Malala Yousafzai, known for her campaign for girls' education in Pakistan,decried the strikesand the schoolchildren's deaths on social media.

"They were girls who went to school to learn, with hopes and dreams for their future. Today, their lives were brutally cut short," she wrote. "The killing of civilians, especially children, is unconscionable, and I condemn it unequivocally."

—Additional reporting byFatemeh Jamalpour

Contact usatletters@time.com.

More Than 100 Reported Killed in Strike on Girls’ School in Iran

This picture obtained from Iran's ISNA news agency shows the site of a strike on a girls' school in Minab, in Ira...

 

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